Trevor is between jobs. He spends his days avoiding his nagging heifer of a wife by hiding out in his allotment shed and painting figurines for his wargames with his agoraphobic friend, Graham, and dreaming of his heroic alter-ego, the battle mage Casimir the Destroyer. When Mr Parsons, one of the other allotment tenants, petitions to have Trevor removed from his disgrace of a plot (hes not there to grow stuff!) an argument ensues that leaves Trevor with a corpse to hide. Unfortunately, this untimely accident coincides with the zombie apocalypse and Mr Parsons return is just the beginnings of Trevors problems. More pressing is whether or not he should try and save his wife and her beautiful best friend, who both he and Graham have a thing for.
作为一部以反贪为题材的影片,金钱与欲望构成了电影的中心议题
当闻名作家维克托·阿德尔曼去世时,一名记者联系上了他的老婆莎拉,但愿能争先报导这位伟年夜作家的平生。跟着记忆的帘幕被徐徐拉开,维克托和莎拉这场近半个世纪的爱恋进程终究显现活着人面前。但是在甜美糊口的背后,这对众人眼中的榜样夫妻事实埋躲着几多不为人知的奥秘?丈夫背后的神秘女子又事实是谁? 当浪漫的恋爱遭受不忠的变节,认真爱背后是熊熊燃烧的野心,他们事实该若何解决婚姻的各种危机?
当我看到达莱西奥和切鲁比尼等孩子感到快乐时,这种联系就会保持下去。